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Film of the Week: A Little Grey

A Little Grey by Simon Hewitt & Steve Smith (2016) (UK) (5m)

Winner of the BEST ANIMATED SHORT FILM award in the FILMSshort competition, A Little Grey is a beautifully made animation that asks a simple question: is there any cure for being a little grey? One man’s search takes him through bars, churches, doctor’s surgeries, tattoo parlours and beyond, but will he find what he’s looking for? It is a colourful story about losing your spark and finding redemption.


Love Is Blind by Dan Hodgson (2015) (UK) (6m)

Tthe comic Love Is Blind tells the story of Alice, who is about to make love to her boyfriend when her husband returns home unexpectedly. Fortunately for Alice, her husband is deaf and very slow to open doors, so she is able to conceal her boyfriend and continue conversations with both of them at the same time - signing to her husband and speaking to her boyfriend when her husband is not looking. However, with her boyfriend proving inept at getting out of the house, it is questionable whether she can maintain the subterfuge - especially when her husband reveals a surprise (and it's not a cochlea implant).

Legend of the Scarecrow

Girl + Ghost by Nik Wansbrough (2015) (Australia) (11m)

Girl + Ghost mixes animation with live action in a dialogue-free romance about a lonely ghost in love with the girl living on his street. Four years in the making, the film reveals the ghost’s fantastical daydreams, but it appears that a flirtatious postman has caught the girl’s eye and is well on his way to winning her affections. As the story unfolds the ghost must struggle to make his presence known to the girl before the postman sweeps her off her feet.

Duel at Blood Creek

Borrowed Time by Coats & Hamou-Lhadj ('15) (USA) (6m)

Borrowed Time was nominated for an Academy Award after winning at the LA Shorts Fest in 2016. It is a beautifully made short animated Western, but perhaps a little lacking in story. It sees a man return to the scene where he lost his father, a stocky sheriff. A flashback reveals that, while being chased by a bandit, they were involved in a cliff-edge crash and he ended up being his father's last hope of rescue. Many people are taking away deep human insights from this simple tale - and the metaphorical title is an obvious cue.

Legend of the Scarecrow

Still Standing by Ollie Blake (2018) (UK) (2m)

Still Standing is a short short and slightly experimental film delving into the pysche of a man who is determined to win no matter what the obstacles and the personal cost. In this non-narrative short film starring Warren Sollars a series of well-crafted visuals presents us with a boxer preparing for a fight while a voiceover informs us of the mental fortitude needed to overcome his opponent. It is a glimpse into the spirit of courage and bravery.

Duel at Blood Creek

The Boho's Lament by Dustin Cohen (2018) (USA) (7m)

The Boho's Lament is a poetic film bemoaning the loss of the Bohemian subculture from New York's East Village. Bohemians are those who live unconventional lifestyles - usually in the company of others - while in musical, artistic or literary pursuits. Phillip Giambri is one such Boho and, after hearing him perform his poem of the same name, Dustin asked the long-serving Bohemian if they could collaborate to bring the poem to life.


Good Bones by Anais La Rocca (2018) (USA) (4m)

Based on the poem by American poet Maggie Smith that went viral in 2016, Good Bones was made by fellow American Anais La Rocca. Inspired by the recurring line "though I keep this from my children", La Rocca imagines a pregnant mother trying to shield her young daughter from the truth about the world. Apparently, "good bones" is a phrase American estate agents (realtors) use to disguise the truth of a "shithole". The metaphor is thus applied to the Earth...


Breathe by James Doherty (2015) (Ireland/UK) (14m)

A short film drama, Breathe tells the story of Patrick and Francie, a father and son in the Irish traveller community. Patrick wants his boy to be a hard, bare-knuckle boxer like him but Francie is not a macho type. Indeed, he is quite the opposite and Patrick is determined to mould him in his own image. Francie's mother wants to protect her son and loves him no matter what his sexuality but can Patrick learn to love his son the same way?


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